Badfinger covers

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[Songwriter 101] Takes from the Top: Badfinger's No Dice (November 12, 2009)

Takes from the Top: Badfinger's No Dice 
Posted in Songwriter 101 on November 12, 2009 

“Most of the songs were cut live,” says Molland. “We just set up like we were on stage and Geoff just miked us up. Abbey Road had these huge isolation baffles, about eight-feet tall and four-feet wide, with solid-bottom panels and transparent top panels, so we could always see each other. For the most part, the mics were AKGs and Neumanns, and they had plenty of them. Under the stairs that led up to the control room was a cupboard that contained some of the Beatles gear, but we never got into it.” 
No Dice No Matter What UK US GER JPN


[Songwriter 101] Tales from the Top: George Harrison's All Things Must Pass (December 21, 2007)

Tales from the Top: George Harrison's All Things Must Pass 
Posted in Songwriter 101 on December 21, 2007  by Dave Simons 

“The band was set up in the room with no baffling,” recalls Molland, who played a Gibson J-50 acoustic for the occasion. “Clapton sat in the middle, with a Fender Champ and a Leslie speaker nearby. George would come in, and just go around to each of the players one by one and show everybody how the song went. You know, ‘This one’s called “Isn’t It a Pity”,’ and he’d run through the changes on his acoustic. We had to learn everything very quickly, just sort of absorb the general texture of each song. But that’s what he hired us for, really: to lay down this very uniform acoustic backing. Which meant we really had to concentrate on getting our strumming in sync.” 
George Harrison - All Things Must Pass

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